Rob Papen – BLUE-3 virtual synthesizer (Windows)

COMPATIBILITY

PC: VST3, VST 64-bit, and 64 bits AAX for Windows 7 or higher.
(Note: PC AAX for PT 12 or higher)

£15.00

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Features & Compatibility

When it was first released in 2005 ‘BLUE’ already reflected Rob Papen’s cutting-edge, creative, and — most importantly — musical approach toward developing virtual synthesizers. Rob Papen himself called it ‘Cross-fusion synthesis’ because it covered both Subtractive and FM synthesis in one creative concept.
With its successor BLUE-II, the ‘Cross-fusion synthesis’ was also expanded with a creative range of samples and the highly versatile XY pad.

The concept for BLUE-III still remains true to that ethos with even more added sound dimensions and features to its extended name. Firstly adding our own take on ‘Karplus Strong String Model Synthesis’, new ‘Waveforms’, new ‘Filter types’, a new range of creative ‘built-in Samples’, and lastly the option for you as a user to load up to 6 samples inside each Preset.

BLUE-III’s GUI has received an overhaul including many different sizes, the XY pad is now always on the front panel. The audio engine has received DNA from our virtual analog synthesizer B.I.T. resulting in unsurpassed audio quality.
Lastly, of course, this amazing instrument is shipped with 5000+ Presets by Rob himself and well-known industry sound designers.

BLUE-III is a phenomenally powerful virtual instrument to behold and represents an amazing journey into ‘Cross-fusion synthesis’!

FEATURES

Main features

16voice Cross-Fusion Synthesis Synthesizer
FM synthesis, Wave & Phase distortion, Virtual Analog, Spectrum Waveforms, Karplus String Model, and Samples.
Over 5000 Presets in various music styles.
Bank Manager
GUI is available in sizes 100%, 125%, 150%, and 200%.
Animated dials and faders

Oscillators

6 Oscillators with Algorithm control for FM synthesis or other routing combinations
Analog-modeled waveforms, Spectrum Waveforms, Karplus String Models, and Samples
Granular on a select range of samples.
6 User samples per Preset can be loaded.
User samples with layer options included velocity split and keyboard range split

Filters

2 Filters with different routing options, and serial or parallel mode
6dB Hi-Pass and Low-Pass Filter
12dB Hi-Pass, Low-Pass, BandPass, and Notch Filters in 3 different characters Type 1, Type 2, and Zero Latency.
18dB Hi-Pass and Low-Pass Filter
12dB Hi-Pass, Low-Pass, BandPass, and Notch Filters in 3 different characters Type 1, Type 2, and Zero Latency.
36dB Hi-Pass and Low-Pass Filter
Comb Filter Positive, and Comb Filter Negative.
Vocal Filter, Formant 2 Band Filter, and Format 4 Band Filter
Ring Modulation, Frequency Shift Positive, and Frequency Shift Negative.
Amount control for Filter Envelope, Velocity, Keyboard Tracking, and Modulation Wheel
Panning and Volume control

Amp

Always visual except for the Sample Page, and Bank Manager Page.
Main Volume Envelope with Attack, Decay, Sustain, Release.
Detailed Envelope features are available in the lower midsection.
Velocity control and Main Volume control.

Modulations

XY pad with record option and tempo-based option. Vector mode for controlling the Oscillator 1-4.
4 MultiEnvelopes with up to 15 sections and tempo-based and loop features
14 LFOs with default destinations, and 4 free LFOs
Modulation Sequencer
Keyboard range and Velocity range modulation source.
Modulation Matrix with Advanced mode

Play Modes

16voice Polyphonic
MPE Poly mode
Mono, Mono Low, Mono Hi
Legato, Legato Low, Legato Hi
Portamento modes with time or rate control
Sequencer
Arpeggiator
Chord memory with up to 8 notes, velocity, panning, strumming, and tempo-based option
Unison modes available are 2 up to 6 Voices, 2 and 3 Octaves, 2 and 3 Special

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